Category: Reviews

  • S. V. Rachmaninoff – H.Wolf koncert, RCZK Russian center of sience and culture Ljubljana

    28. November, in the Grand hall of the RCZK (Russian center of science and culture) there was a concert of extraordinary musicians: the Slovenian pianist who finished his study at the Moscow state conservatory Peter Ilich Tchaikovsky, Erik Šuler and opera singer Vera Danilova who was educated at the best opera schools in Russia and Italy.

    With piano accompaniment of Erik Šuler, Vera Danilova sang romances of the great Russian composer Sergej Rachmaninoff »Zdes khorosho«, »Margaritki« and others and songs and romances of the Austrian composer with slovenian roots Hugo Wolf (1860-1903). Erik Šuler excellently played the masterpiece of the composer Rachmaninoff »Vocalise«.

    The audience was listening to the performance of the young and gifted musicians with enthusiasm.

  • Ars Brdo – Concert of the Slovenian Police Orchestra, Grandis Hall, Brdo

    “Vera DANILOVA proved herself as a completely confident interpreter of soprano coloratura roles…Her interpretation and diction in different (original) languages have showed us again, that in front of us we have a young artist, a singer of a great format.”

    Franc KRIŽNAR, Gorenjski glas

     

    ” »Bravo« ! was herd in the overloaded Grandis hall on saturday during the exclusive concert of the slovenian Police orchestra. The soprano Vera DANILOVA sang Rosina’s aria from the Rossini’s Barbiere di Siviglia and her vocal range overflowed the hall and touched the audience.”

    M. K. www.brdo.si

  • W. A. Mozart: Der Schauspieldirektor, Slovenian Chamber Music Theatre

    Mozart---Der-Schauspieldirektor-7“The sopranos Vera DANILOVA (Sophie Uhlich) and Rebeka Radovan (Aloysia Lange) were indeed primadonas, in the singing duel vocally (Danilova with her high notes) and by character (also visually) very contrasted.”

    Jure DOBOVIŠEK, Delo

     

    “As highlights of the performance were the two singers, rivals, primadonas, who are perfect in the scene of the singing duel ( Vera DANILOVA, R.R.).”

    Bogdan UČAKAR, Večer

  • V. Ullmann: Der Kaiser von Atlantis, National Theatre

    “The soprano Vera DANILOVA (Bubikopf) was a bright exception. She managed to prepare her difficult role in an exceptional and marvelous way.”

    Pavel MIHELČIČ, Delo

  • Concert of the Antic and Baroque arias, St Florijan church

    “Vera DANILOVA finished her study at University of Ljubljana, Faculty of Music. In the first third her recital seemed to be under the influence of study classes. However, in one hour program, continuously without a break, the recital developed into a pillar of artistic future. Her capability to live for the music moment is effective like unstopping shimmer – the voice is extremely flexible at the »coloraturas« and strong at the high notes. The brightly exalted Alleluia from Mozart’s Exsultate jubilate seems to be written on her skin.”

    Jure DOBOVIŠEK, Delo

  • Opera Concert, Slovene National Theatre

    “We have heard the duet with Gilda – Vera DANILOVA. Danilova’s appearance was full of extraordinary charm.”

    Jure DOBOVIŠEK, Delo

  • E. Toch: Die Prinzessin auf der Erbse, Slovene National Theatre

    Toch---Princeska-na-zrnu-graha-17“Very beautiful voice and pleasant performance is that of the soprano Vera DANILOVA (the Princess). I can say that the voice is more than promising…it is strong and stable.”

    Pavel MIHELČIČ, Delo

  • Opera Concert: Opera Studio of the Opera of Ljubljana, Slovene National Theatre

    “The strongest (warmest) personality is Vera DANILOVA, singer with high and light soprano voice…Soprano’s Gilda (an aria from Rigoletto) was an amazing experience.”

    Jure DOBOVIŠEK, Delo

  • Orff, Carmina Burana – Galusova dvorana, Cankarjev dom

    “… and the young Macedonian soprano Vera Danilova was tenderly enthralling, so incredible was the sensibility of her singing, so soft and splendid her nuancing even in higher positions and fortissimo, so warm and relaxed was her voice. How could anyone doubt that Amor flies everywhere (Amor Volat Undique)? The performance of the young singer, especially with the culmination of soprano line in Tempus Est Iocondum, offered an experience of music as an art of a noble Eros, an art of pure musical sensuality.”

    Gregor PIRŠ, Delo